Tag Archives: SLAMCD 531

Improjazz: drama without narration

By Han-earl Park | Published: June 11, 2015

Somehow I managed to miss this when it came out. Noël Tachet’s review of ‘io 0.0.1 beta++’ (SLAMCD 531) in Improjazz from way back in March 2012: Expériences de résonnances et d’occupation de l’espace sonore. Très dramatique sans narration. Tout l’espace est occupé, toujours de manière surprenante, avec peu de sons, peu de matière (toutefois […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Cork, Franziska Schroeder, Han-earl Park, Improjazz, improvisation, interaction, io 0.0.1 beta++, Noël Tachet, performance, recordings, reviews, robotics, Slam Productions | Comments closed

CloudsandClocks: deep dialogue

By Han-earl Park | Published: May 17, 2015

While reviewing ‘Anomic Aphasia’ (SLAMCD 559) by Han-earl Park, Catherine Sikora, Nick Didkovsky and Josh Sinton, Beppe Colli, writing in CloudsandClocks, is reminded of ‘io 0.0.1 beta++’ (SLAMCD 531): It was about four years ago that—totally by chance: I found the CD in my mailbox—I listened to guitarist Han-earl Park for the very first time. […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Anomic Aphasia, audio recordings, automaton, Beppe Colli, Brooklyn, Bruce Coates, Catherine Sikora, CD, CloudsandClocks, Cork, Eris 136199, Franziska Schroeder, George E Lewis, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Josh Sinton, Metis 9, musical automaton, New York, Nick Didkovsky, performance, recordings, reviews, Slam Productions, SLAMCD 559, Voyager | Comments closed

Dalston Sound: sonic terrain

By Han-earl Park | Published: April 13, 2013

In the context of his discussion of Richard Barrett’s Dark Matter, and Barrett and Han-earl Park’s ‘Numbers’, Tim Owen of Dalston Sound describes ‘io 0.0.1 beta++’ (SLAMCD 531): Intellectually, if nothing else, the pair [Richard Barrett and Han-earl Park] are an intriguing match. Before his meeting with Barrett, in May 2010, Park recorded an album, […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, automaton, Bruce Coates, CD, Christian Eggen, Cikada, Cork, Creative Sources Recordings, CS 201 cd, Dalston Sound, Dark Matter, Deborah Kayser, electronics, Elision Ensemble, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, musical automaton, Numbers, performance, press, recordings, reviews, Richard Barrett, Slam Productions, technological artifact, technology, Tim Owen | Comments closed

Annea Lockwood: gritty complexity

By Han-earl Park | Published: April 19, 2012

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A […]

Posted in audio recordings, performance | Also tagged 05-25-2010, Annea Lockwood, audio recordings, CD, Cork, Discovery: Intermodulation, Han-earl Park, In Our Name, interaction, io 0.0.1 beta++, performance, Piano Transplants, recordings, relationships, reviews, Slam Productions, technological artifact, The Roulette, The Secret Life, timbre | Comments closed

Jazz Convention: l’avanguardia è tornata

By Han-earl Park | Published: February 14, 2012

“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, aleatory, Alexandra Grimal, audio recordings, authentic human, avant-garde, Bruce Coates, CD, Cork, cyborgs, Franziska Schroeder, Han-earl Park, identities, Ingrid Laubrock, io 0.0.1 beta++, Jazz Convention, Leofranc Holford-Strevens, listening, Matana Roberts, Melanie L Marshall, noise, othering, performance, recordings, reviews, Sara Roberts, Slam Productions | Comments closed

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, CloudsandClocks, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, Monsieur Délire, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, Sonic Arts Research Centre, technological artifact | Comments closed

MusicZoom: un inno totale alla modernità

By Han-earl Park | Published: December 13, 2011

‘io 0.0.1 beta++’ (SLAMCD 531) is “total hymn to modernity” according to the wonderful review by Vittorio at MusicZoom. It’s a session in which the human musicians “throw themselves with passion on the ideas from the inanimate object”, and the listener will be “fully repaid by that which is a successful experiment.” Il titolo da […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, autonomy, Bruce Coates, CD, Cork, Franziska Schroeder, Futurism, Han-earl Park, improvisation, instrument, interaction, io 0.0.1 beta++, musical automaton, MusicZoom, performance, recordings, reviews, Slam Productions, Steve Lacy, technological artifact, Vittorio | Comments closed

Rui Eduardo Paes: máquina de improvisar

By Han-earl Park | Published: November 29, 2011

Rui Eduardo Paes describes a “fake quartet” in which the organic musicians bring their experience in ‘avant-jazz’ and the “electroacoustics’ border with contemporary music” to the music, and in which the automaton “interactively reacting to what they do and even giving them cues”: Este é um falso quarteto entre uma máquina de improvisar, o io […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, Bruce Coates, CD, Charles Hayward, Christian Wolff, Cork, counterfeit, Evan Parker, Felipe Hickman, Franziska Schroeder, Ground-Based Telemetry, Han-earl Park, interaction, io 0.0.1 beta++, Ishmael Wadada Leo Smith, Laplace: Instability, Lol Coxhill, Paul Dunmall, Pauline Oliveros, Pedro Rebelo, performance, recordings, reviews, Rui Eduardo Paes, science fiction, Slam Productions, Tony Oxley | Comments closed

more reviews: experimental, uncompromising, unique man-meets-automaton event

By Han-earl Park | Published: September 12, 2011

Ed Pinsent of The Sound Projector describes the meeting between human and machine improvisers: The guitarist [Han-earl] Park, sometime member of Mathilde 253 whose fine CD impressed us in March this year, is joined by two improvising saxophonists, Bruce Coates (from the Birmingham Improvisers’ Orchestra) and Franziska Schroeder (member of the trio FAINT), and the […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alberto Bazzurro, All About Jazz, All About Jazz Italia, audio recordings, Beppe Colli, Birmingham Improvisers’ Orchestra, Bruce Coates, Bruce Lee Gallanter, CD, Cork, Ed Pinsent, FAINT, François Couture, Franziska Schroeder, Han-earl Park, interaction, io 0.0.1 beta++, Mathilde 253, musical automaton, performance, Pierre Bastien, recordings, reviews, Sara Roberts, Slam Productions, SLAMCD 528, The Sound Projector | Comments closed

CloudsandClocks: disciplina delle scelte

By Han-earl Park | Published: September 4, 2011

Beppe Colli at CloudsandClocks writes a nice review [in English…] [in Italian…] of ‘io 0.0.1 beta++’ (SLAMCD 531) in which the “flesh-and-blood musicians” (Han-earl Park, Bruce Coates and Franziska Schroeder) demonstrate “excellent rapport” and “a good dose of telepathy”, while the machine musician (io 0.0.1 beta++) “works as a valuable stimulus for its fellow musicians”: […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, Anthony Braxton, audio recordings, Beppe Colli, body, Bruce Coates, CD, CloudsandClocks, Company, Cork, Derek Bailey, Evan Parker, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Joe Pass, performance, physicality, recordings, Return Trajectory, reviews, Sara Roberts, Slam Productions, Turing test | Comments closed

Monsieur Délire: créature mécanique

By Han-earl Park | Published: August 5, 2011

The “créature mécanique” io 0.0.1 beta++ is “physically present on stage… and it interacts and improvises with the human improvisers.” François Couture’s take on the “faux-quartet” of io with Han-earl Park, Bruce Coates and Franziska Schroeder that appears on the CD ‘io 0.0.1 beta++’ (SLAMCD 531): Ce quatuor (ou faux-quatuor, à la limite) propose des […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, body, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Monsieur Délire, performance, physicality, recordings, reviews, Slam Productions | Comments closed

Downtown Music Gallery: a quartet of gifted, thoughtful players

By Han-earl Park | Published: July 17, 2011

In this week’s newsletter from the Downtown Music Gallery, Bruce Lee Gallanter teases a Turing test around ‘io 0.0.1 beta++’ (SLAMCD 531) with Han-earl Park, Bruce Coates and Franziska Schroeder: …More rare is that these three human musicians are improvising with a machine called io 0.0.1 beta…. Io was constructed by Han-earl Park and is […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, Alan Turing, audio recordings, Bruce Coates, Bruce Lee Gallanter, CD, Cork, Downtown Music Gallery, Franziska Schroeder, Han-earl Park, improvisation, io 0.0.1 beta++, performance, Pioneer: Dance, recordings, reviews, Slam Productions, Turing test, Wayside Music | Comments closed

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