Annea Lockwood: gritty complexity

Han-earl Park — Thu, 19 Apr 2012 16:56:39 +0000

I met Annea Lockwood at The Roulette in February which saw the performance of In Our Name. I had the pleasure of talking to her about technological transpositions and the secret lives of everyday (and not so everyday) artifacts. A few days later I posted her a copy of ‘io 0.0.1 beta++’ (SLAMCD 531). A few days ago I got a message from Annea:

This is fascinating and I hope to have a chance to hear and see you and io live. The interaction between io and the three other players is really supple, especially evident in track 4 [Discovery: Intermodulation], and I like very much the gritty complexity of io’s vocabulary, and the fine sense of shaping, timbrally and in terms of gesture, plus the contrast between its timbral character and that of the two saxs and your guitar.

It’s a true honor to have the feedback from a composer with such imagination and skill, and a veteran of exploring biological, technological and social relations. Thanks, Annea!

[More info on the recording…] [All reviews…]

‘io 0.0.1 beta++’ (SLAMCD 531) is available from SLAM Productions. [Details…]

personnel: io 0.0.1 beta++ (itself), Han-earl Park (guitar), Bruce Coates (alto and sopranino saxophones) and Franziska Schroeder (soprano saxophone).

Piano Transplants – io 0.0.1 beta++

Annea Lockwood: gritty complexity