Tag Archives: Monsieur Délire

video trailer: io 0.0.1 beta++

By Han-earl Park | Published: August 30, 2014

I’m creating YouTube samplers of some of the more recent items in my discography, and I’ve started by uploading a trailer for ‘io 0.0.1 beta++’ (SLAMCD 531) [more info on the recording…]. On the stage: two men, a woman, and an artifact, a freestanding mélange of industrial, military, and domestic hardware. The humans hold graceful, […]

Posted in audio recordings, performance, website | Also tagged 05-25-2010, 05-26-2010, Arts Council of Ireland, audio recordings, automaton, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Futurism, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, Music Network, musical automaton, MusicZoom, performance, photographs, recordings, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, UCC Department of Music, video, Vittorio, YouTube | Comments closed

current state 2013: human actors

By Han-earl Park | Published: January 2, 2013

Still planning to take the io 0.0.1 beta++ on the road in 2014, but, in the meantime, here’s what the machine improviser’s (human) colleagues have been up to since last year’s update, and a little of what’s coming up in 2013. Han-earl Park Based in Brooklyn, during 2012, Han-earl Park has been performing with Michael Evans, Louise […]

Posted in and by the way, performance, website | Also tagged ABC No Rio, Andrew Drury, Belfast, BIG EARS – learning to design sonic arts, Birmingham Improvisers’ Orchestra, BRIDGE 9381A/B, Bridge Records, Brooklyn, Bruce Coates, Cambridge Scholars Publishing, Canterbury, Caroline Forbes, Catherine Sikora, Charles Hayward, Chris Hobbs, Citizens Ontological Music Agenda, Creative Sources Recordings, CS 201 cd, David Borgo, Délire actuel, Dominic Lash, Douglass Street Music Collective, Eris 136199, Evan Parker, FAINT, Fizzle, François Couture, Franziska Schroeder, Freedom of the City, Geoff Bright, Georgina Born, Han-earl Park, Harris Eisenstadt, Ian Smith, Identity Performance and Technology: Practices of empowerment embodiment and technicity, Imogene Newland, Improvisation Birmingham, Improvisation in the 21st Century, io 0.0.1 beta++, Jazz @ The Oxford, Jo Machon, Josh Sinton, Juxtavoices, London, Louise Dam Eckardt Jensen, Magna, Mark Hanslip, Mark Sanders, Massimo Ricci, Mathilde 253, Michael Evans, New York, Nick Didkovsky, Nine Ways of Seeing a Body: Body & Performance, Node/Flow/Mass Disaster Box, Numbers, On The Way Out, Out Of Your Head Brooklyn, Oxford, Palgrave Macmillan, Paul Dunmall, Perspective on Musical Improvisation, Phillip Marks, Richard Barrett, Rotherham, Shifting Listening Identities—Towards a Fluidity of Form in Digital Music, Sonic Arts Research Centre, Sonorities Festival, Sounds New Contemporary Music Festival, Sue Broadhurst, The $100 Guitar Project, The Musical Body—Devising a choreo-musical interpretation for the work Tierkreis (1974–75) by Karlheinz Stockhausen, The Stone, Tim Perkis, Triarchy Press, Virginia Anderson, Walt Shaw | Comments closed

seeking performances (Europe, 2014)

By Han-earl Park | Published: November 8, 2012

Seeking performance opportunities; particularly in Europe, 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder. See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.). overview This quartet (or faux-quartet, if you prefer) performs demanding […]

Posted in performance | Also tagged 2014, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, François Couture, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, MusicZoom, performance, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, Vittorio | Comments closed

seeking performances (Europe, 2013)

By Han-earl Park | Published: March 21, 2012

Seeking performance opportunities; particularly in Europe 2014: the cyborg ensemble of interactive, semi-autonomous, technological artifact and machine musician and improviser io 0.0.1 beta++ with human musicians Han-earl Park, Bruce Coates and Franziska Schroeder. See performance proposal for further information (availability, technical requirements, performers’ biographies, etc.). overview This quartet (or faux-quartet, if you prefer) performs demanding […]

Posted in performance | Also tagged 2013, Arts Council of Ireland, Blackrock Castle Observatory, Bruce Coates, François Couture, Franziska Schroeder, Han-earl Park, io 0.0.1 beta++, MusicZoom, performance, Sara Roberts, Slam Productions, SLAMCD 531, Stephanie Hough, Vittorio | Comments closed

JazzWord: AI in an improv session

By Han-earl Park | Published: January 22, 2012

This one’s really interesting. Perhaps not the warmest review (in comparison to, say, those at MusicZoom, CloudsandClocks or Monsieur Délire), maybe not the fairest, but Ken Waxman’s take on ‘io 0.0.1 beta++’ (SLAMCD 531) at JazzWord, in which the machine improviser is “unobtrusive and egoless” and “thoughtful pauses” signpost the authentic human, I think is […]

Posted in audio recordings, performance, theory | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, 4G, artificial intelligence, audio recordings, authentic human, Birmingham Improvisers’ Orchestra, Bruce Coates, CD, Charles Hayward, CloudsandClocks, Cork, Franziska Schroeder, Han-earl Park, Ian Smith, improvisation, interaction, io 0.0.1 beta++, JazzWord, Ken Waxman, Mathilde 253, musical automaton, MusicZoom, Pauline Oliveros, performance, Pioneer: Dance, Pioneer: Variance, recordings, Return Trajectory, reviews, Richard Barrett, Slam Productions, SLAMCD 531, Sonic Arts Research Centre, technological artifact | Comments closed

impressive synergy (audio clip: io 0.0.1 beta++)

By Han-earl Park | Published: November 18, 2011

Second audio clip from ‘io 0.0.1 beta++’ (SLAMCD 531) below: Bruce Coates (sopranino saxophone) and io 0.0.1 beta++ (itself). Excerpted from the track ‘Discovery: Intermodulation’, the clip features Bruce Coates on sopranino saxophone in duet with the musical automaton io 0.0.1 beta++. One of my favorite moments from the CD, it’s a performance that demonstrates, […]

Posted in audio recordings, performance | Also tagged 05-25-2010, audio excerpt, audio recordings, Bruce Coates, CD, Cork, Discovery: Intermodulation, François Couture, Franziska Schroeder, George Haslam, Han-earl Park, io 0.0.1 beta++, mp3, Ó Riada Hall, performance, photographs, recordings, Slam Productions, SLAMCD 531 | Comments closed

Monsieur Délire: créature mécanique

By Han-earl Park | Published: August 5, 2011

The “créature mécanique” io 0.0.1 beta++ is “physically present on stage… and it interacts and improvises with the human improvisers.” François Couture’s take on the “faux-quartet” of io with Han-earl Park, Bruce Coates and Franziska Schroeder that appears on the CD ‘io 0.0.1 beta++’ (SLAMCD 531): Ce quatuor (ou faux-quatuor, à la limite) propose des […]

Posted in audio recordings, performance | Also tagged 05-25-2010, 05-26-2010, 08-19-2010, audio recordings, body, Bruce Coates, CD, Cork, François Couture, Franziska Schroeder, Han-earl Park, improvisation, interaction, io 0.0.1 beta++, performance, physicality, recordings, reviews, Slam Productions, SLAMCD 531 | Comments closed

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Tag Archives: Monsieur Délire

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