“The avant-garde is back,” according to Romualdo Del Noce at Jazz Convention. In his review of ‘io 0.0.1 beta++’ (SLAMCD 531), Han-earl Park improvises a “rugged plateau” and “hyperacid notes”, Franziska Schroeder enriches “the other half of the sax… with a naked and experimental voice, together in harmony and dissonance with parallel and converging streams […]