Comments on: (musical) time and machine musicianship (part 0.1) /2012/02/29/musical-time-machine-musicianship-01/ interactive, semi-autonomous technological artifact, musical automaton, machine musician and improviser Wed, 29 Feb 2012 20:38:28 +0000 hourly 1 By: io 0.0.1 beta++: (musical) time and machine musicianship 0.1 – buster & friends’ d’da /2012/02/29/musical-time-machine-musicianship-01/comment-page-1/#comment-798 Wed, 29 Feb 2012 20:38:28 +0000 /?p=2334#comment-798 […] [Read the rest…] […]

]]> By: (musical) time and machine musicianship (part 0) – io 0.0.1 beta++ /2012/02/29/musical-time-machine-musicianship-01/comment-page-1/#comment-797 Wed, 29 Feb 2012 20:11:58 +0000 /?p=2334#comment-797 […] [Continued in part 0.1…] This entry was posted in construction, software, theory and tagged Andrew Cyrille, autonomy, beat detection, body, Bruno Latour, Charles Hayward, cognition, command-control, cyborgs, Henkjan Honing, heterogeneity, hierarchy, HZ, input, Jim Black, machine musician, Mark Sanders, Melanie L Marshall, Michel Foucault, musicality, pedagogy, rhythm, TED, TEDxAmsterdam, time, Tony Oxley, wind-chimes. Bookmark the permalink. Post a comment or leave a trackback: Trackback URL. « Jazz Convention: l’avanguardia è tornata site redesign 02-27-12 » […]

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